All statements about Adil

155 statements about Adil in 11 sources, by upload date.

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2026

2026-03-12 · AI Short Film – Full Prompt Library (YouTube video) — recommendation: Higgsfield: For the film's lead, the cop Adil, Higgsfield used Soul ID to keep his face consistent across the film, and reminds to train the Soul ID on your own images first.
2026-03-12 · AI Short Film – Full Prompt Library (YouTube video) — recommendation: Higgsfield: In Cinema Studio shot prompts, Higgsfield tags each character and location with an @ reference (such as @Adil-Cop, @Locker-Room) and then describes the action.
2026-03-13 · The Complete AI Short Film Workflow Everyone's Missing — Adil makes a short film starring himself with his own voice entirely on Higgsfield: Soul Cinema for the images, Higgsfield Audio for the voice and Cinema Studio to animate. — 00:00:00
2026-03-13 · The Complete AI Short Film Workflow Everyone's Missing — recommendation: Adil says to start an AI film from a feeling, not a prompt: ask what story has real emotional stakes an audience feels, not what looks cool or gets views. — 00:02:04
2026-03-13 · The Complete AI Short Film Workflow Everyone's Missing — Adil's premise in three sentences, which he calls the whole foundation: a cop with depression has a birthday and his close ones try to cheer him up. — 00:02:04
2026-03-13 · The Complete AI Short Film Workflow Everyone's Missing — Adil maps the film into three scenes, the locker room, the patrol car and the surprise, as setup, midpoint and climax, and says a short film needs no more. — 00:02:53
2026-03-13 · The Complete AI Short Film Workflow Everyone's Missing — recommendation: Adil trains his Soul ID under Character from 20 photos of himself at different angles and in different light, says more variety gives better results, and then drops it into any scene. — 00:02:53
2026-03-13 · The Complete AI Short Film Workflow Everyone's Missing — Adil says Soul Cinema makes cinematic images by default, with nothing special needed in the prompt. — 00:03:42
2026-03-13 · The Complete AI Short Film Workflow Everyone's Missing — Adil: For the hero shot Adil uses a simple Soul Cinema prompt, "a close-up of an American policeman", with his Soul ID selected. — 00:03:42
2026-03-13 · The Complete AI Short Film Workflow Everyone's Missing — recommendation: Adil: To keep a character the same from every angle, Adil takes the Soul Cinema image into Nano Banana Pro to make a character sheet holding the face, accessories and clothing. — 00:04:09
2026-03-13 · The Complete AI Short Film Workflow Everyone's Missing — Adil: For a second character Adil runs the same Soul Cinema prompt without selecting Soul ID, which gives a new person. — 00:04:09
2026-03-13 · The Complete AI Short Film Workflow Everyone's Missing — Adil says the same simple portrait prompt in Nano Banana Pro would give a plastic look every time, while Soul Cinema gives good grading, skin texture and light by default. — 00:04:57
2026-03-13 · The Complete AI Short Film Workflow Everyone's Missing — Adil names the partner character Dave and makes a character sheet for him the same way. — 00:05:24
2026-03-13 · The Complete AI Short Film Workflow Everyone's Missing — recommendation: Adil: After a Soul Cinema wide shot of a locker room, Adil makes a prop sheet of it with the same sheet prompt so the environment stays consistent across every shot of the scene. — 00:05:53
2026-03-13 · The Complete AI Short Film Workflow Everyone's Missing — Adil animates each scene as a Cinema Studio multi-shot, which strings several shots with different angles and camera moves together in one generation. — 00:05:53
2026-03-13 · The Complete AI Short Film Workflow Everyone's Missing — Adil: In a Cinema Studio multi-shot each shot gets its own length and camera move: Adil gives shot one seven seconds and a handheld move for a slight shake. — 00:06:21
2026-03-13 · The Complete AI Short Film Workflow Everyone's Missing — recommendation: Adil describes the image first and then drops the reference, which he says anchors the model and gives noticeably better results. — 00:06:47
2026-03-13 · The Complete AI Short Film Workflow Everyone's Missing — Adil shows Kling 3.0 in Cinema Studio putting him into a shot though he was not in the start frame. — 00:07:59
2026-03-13 · The Complete AI Short Film Workflow Everyone's Missing — recommendation: Adil: When Kling 3.0 produces a shot that would be hard to make (here from inside the locker), Adil screenshots it and uses it with the prop sheet to start the next generation. — 00:07:59
2026-03-13 · The Complete AI Short Film Workflow Everyone's Missing — recommendation: Adil writes each dialogue line into the shot prompt with the speaker and how it is said ("funny and loudly", "teasingly", "dryly"). — 00:08:25
2026-03-13 · The Complete AI Short Film Workflow Everyone's Missing — Adil: A four-line exchange between Adil and Dave came out of Cinema Studio in one shot with no cuts. — 00:10:40
2026-03-13 · The Complete AI Short Film Workflow Everyone's Missing — Adil gives the patrol car scene a different look, less cinematic and more raw, as if a dash cam happened to be rolling. — 00:11:09
2026-03-13 · The Complete AI Short Film Workflow Everyone's Missing — recommendation: Adil: Instead of writing image prompts himself, Adil describes what he wants to Claude in plain words ("improve this prompt") and lets it build the prompt for Soul Cinema. — 00:11:38
2026-03-13 · The Complete AI Short Film Workflow Everyone's Missing — Adil brings the car-interior image into Cinema Studio as a start frame with both character sheets as elements and a simple prompt, "Adil and Dave enter the car". — 00:12:08
2026-03-13 · The Complete AI Short Film Workflow Everyone's Missing — recommendation: Adil screenshots the frame where both men sit in the car and uses it as the start frame of the next shot. — 00:12:49
2026-03-13 · The Complete AI Short Film Workflow Everyone's Missing — recommendation: Adil says to check small acting details such as the driver's eyes staying on the road: the moment shows he is emotionally checked out, and it is lost once his eyes move. — 00:14:11
2026-03-13 · The Complete AI Short Film Workflow Everyone's Missing — recommendation: Adil generates a few B-roll shots to let a dialogue scene breathe, with prompts from Claude and images in Soul Cinema. — 00:14:11
2026-03-13 · The Complete AI Short Film Workflow Everyone's Missing — Adil says Soul Cinema works well with short, simple prompts for inspiration and also with long, complex prompts. — 00:15:03
2026-03-13 · The Complete AI Short Film Workflow Everyone's Missing — recommendation: Adil: Rather than make a new keyframe, Adil reuses one with the car door open, has the character close it at the start to cut in the edit, and runs the dialogue in one take to break up with B-roll. — 00:15:32
2026-03-13 · The Complete AI Short Film Workflow Everyone's Missing — recommendation: Adil says casual conversations loosen the tension and give a character some lore. — 00:16:29
2026-03-13 · The Complete AI Short Film Workflow Everyone's Missing — Adil brought a bit of his own culture into the dialogue with the Central Asian noodle dish lagman (as heard). — 00:16:58
2026-03-13 · The Complete AI Short Film Workflow Everyone's Missing — Adil animates the radio B-roll with a dispatch call to pull the two cops out of the birthday talk and back into the job. — 00:16:58
2026-03-13 · The Complete AI Short Film Workflow Everyone's Missing — Adil animates the other two B-roll images with no prompt at all. — 00:17:25
2026-03-13 · The Complete AI Short Film Workflow Everyone's Missing — Adil: Inspired by cop movies, Adil gives each scene its own visual identity, colour grading and camera. — 00:18:38
2026-03-13 · The Complete AI Short Film Workflow Everyone's Missing — Adil: For the wife, Selena, Adil uses Soul Cinema without Soul ID, a close-up of a woman in her mid-20s, and gives her a character sheet. — 00:19:05
2026-03-13 · The Complete AI Short Film Workflow Everyone's Missing — Adil: To build suspense between scenes two and three, Adil makes a multi-shot that starts in the car and then shows the cops leaving it from the dash cam. — 00:19:34
2026-03-13 · The Complete AI Short Film Workflow Everyone's Missing — Adil: In DaVinci Adil trims some shots, cuts others and mirrors a few whose composition works better flipped; not every generation makes it. — 00:22:06
2026-03-13 · The Complete AI Short Film Workflow Everyone's Missing — Adil: Halfway through the edit Adil found he was missing shots for scene three and generated them with the same workflow. — 00:22:06
2026-03-13 · The Complete AI Short Film Workflow Everyone's Missing — Adil says a missing shot found in post would be a pain on a real shoot (same light, angles, makeup), while with AI "nothing is locked until you lock it". — 00:22:31
2026-03-13 · The Complete AI Short Film Workflow Everyone's Missing — Adil splits the film's dialogue into two tracks, one for himself and one for Dave; Selena's single line keeps its voice. — 00:22:31
2026-03-13 · The Complete AI Short Film Workflow Everyone's Missing — Adil: In Higgsfield Audio you give it your voice by uploading a track of yourself speaking or recording one there; Adil uses one of his videos. — 00:22:56
2026-03-13 · The Complete AI Short Film Workflow Everyone's Missing — Adil: Higgsfield Audio has preset voices; Adil voices Dave with one that is called Dave. — 00:23:25
2026-03-13 · The Complete AI Short Film Workflow Everyone's Missing — Adil says the film had a lot of bad takes he did not show. — 00:24:55
2026-03-13 · The Complete AI Short Film Workflow Everyone's Missing — recommendation: Adil's rule for bad takes: run it, look at it, tweak a thing or two in the prompt and run it again; iteration is the skill. — 00:25:48
2026-03-17 · World's Biggest AI Video Contest — Winner Reveal & Live Screening — Adil says the Higgsfield Action Contest received 8,752 submissions from creators worldwide and calls it officially the largest AI video competition in history. — 00:00:11
2026-03-17 · World's Biggest AI Video Contest — Winner Reveal & Live Screening — Adil says the honorable mention In Despair, a revenge story, was the undisputed favourite of the Higgsfield creative team, chosen for its strong directing. — 00:03:19
2026-03-17 · World's Biggest AI Video Contest — Winner Reveal & Live Screening — Adil introduces jury member PJ Ace as the creator of viral AI projects and founder of an AI studio (Genro AI Studio, as heard) with over 300 million views across campaigns for Oracle, Popeyes and Qatar Airways. — 00:10:14
2026-03-17 · World's Biggest AI Video Contest — Winner Reveal & Live Screening — Adil introduces jury member Jason Zada as an Emmy Award-winning filmmaker, founder of Secret Level and maker of campaigns for Coca-Cola and Will.i.am. — 00:30:47
2026-03-17 · World's Biggest AI Video Contest — Winner Reveal & Live Screening — announcement: Adil says Higgsfield is already planning the next opportunity for creators after the Higgsfield Action Contest. — 00:44:40
2026-03-26 · $350.000 AI Commercial - Full Prompts — Higgsfield: For Adil's cameo as the security guard, Higgsfield makes a character sheet of him bald and muscular in a guard's tuxedo, then swaps him into the keyframe with an edit prompt that also adds an iPod and earphones.
2026-03-26 · $350.000 AI Commercial - Full Prompts — Higgsfield generates the props of the dark hall scene as separate images: a guard's ID badge reading "Adil Alimzhanov" of "Le Secret", a pen-sized blowgun tube and a tranquilizer dart.
2026-03-27 · A $350,000 AI AD Using Only 1 Tool (2026) — Adil: For his cameo as the security guard, Adil makes a separate character sheet of himself bald and swaps it into the keyframe. — 00:15:29
2026-06-10 · The $500,000 AI Film Screening in Cannes! · Full Vlog — Adil: Introducing himself as Higgsfield's face and content lead, Adil opens the Hell Grind premiere in Cannes: the company's first film, fully AI. — 00:23:07
2026-06-26 · How to Turn Your Own Footage Into Cinematic VFX with Seedance 4K: Guide with Ready-To-Use Prompts — recommendation: Higgsfield: Seedance 2.0 4K keeps the motion of the source footage, so Higgsfield shot the camera move as the final shot should look: Adil leaning forward with arms out as if flying, the camera pulling back and rushing past him.
2026-06-26 · How to Turn Your Own Footage Into Cinematic VFX with Seedance 4K: Guide with Ready-To-Use Prompts — Higgsfield: Step 3: tell Claude the scene or effect you want (here, Adil on a giant manta-ray creature flying through floating islands); Claude writes a prompt that locks the subject, camera move and performance from the source and layers only the new world and creature on top.
2026-10-07 · How To Prompt Like a Director Using Opus 5.5 + Seedance 2.5 (Full Workflow) — Adil directed a 30-second commercial for a delivery app in Seedance 2.5, with three friends in three countries, and shows the characters, transitions, failed shots and cost. — 00:00:29
2026-10-07 · How To Prompt Like a Director Using Opus 5.5 + Seedance 2.5 (Full Workflow) — recommendation: Adil calls Soul Cinema his top choice right now for characters, affordable enough to try many options. — 00:00:29
2026-10-07 · How To Prompt Like a Director Using Opus 5.5 + Seedance 2.5 (Full Workflow) — Adil gives Claude the basic concept of each character to get a detailed character-sheet prompt: a closer portrait plus the outfit from the front and the back. — 00:01:09
2026-10-07 · How To Prompt Like a Director Using Opus 5.5 + Seedance 2.5 (Full Workflow) — recommendation: Adil calls a plain gray background on a character sheet a huge hack: face and clothes are easy to see, with no visual noise, and the results are more usable. — 00:01:09
2026-10-07 · How To Prompt Like a Director Using Opus 5.5 + Seedance 2.5 (Full Workflow) — Adil: All of Adil's Soul Cinema character-sheet options had the same issue: skin too smooth and lighting a little too harsh for him. — 00:01:38
2026-10-07 · How To Prompt Like a Director Using Opus 5.5 + Seedance 2.5 (Full Workflow) — recommendation: Adil edits the chosen character sheet in Seedream 5.0 Pro, which he calls the best model right now for image editing, with a prompt from Claude; the result has softer lighting and visible skin texture. — 00:01:38
2026-10-07 · How To Prompt Like a Director Using Opus 5.5 + Seedance 2.5 (Full Workflow) — recommendation: Adil: With neck-down crops on the other panels of the character sheet, Seedance has only one face to use; Adil calls this a must for consistent characters. — 00:02:05
2026-10-07 · How To Prompt Like a Director Using Opus 5.5 + Seedance 2.5 (Full Workflow) — Adil saves the finished sheet as the character Micah, the reference he attaches whenever the scenes are generated. — 00:02:05
2026-10-07 · How To Prompt Like a Director Using Opus 5.5 + Seedance 2.5 (Full Workflow) — Adil: In Soul Cinema eight images cost only one credit, which Adil says makes it the best tool for exploring character concepts cheaply. — 00:02:34
2026-10-07 · How To Prompt Like a Director Using Opus 5.5 + Seedance 2.5 (Full Workflow) — recommendation: Adil: As on a live-action shoot, Adil uses image references to lock down the lighting, layout and background of a location before generating. — 00:03:31
2026-10-07 · How To Prompt Like a Director Using Opus 5.5 + Seedance 2.5 (Full Workflow) — recommendation: Adil's pro tip: always make a location at a three-quarter angle; the depth gives the camera movement something to grab onto and gives better video renders than a flat head-on shot. — 00:03:55
2026-10-07 · How To Prompt Like a Director Using Opus 5.5 + Seedance 2.5 (Full Workflow) — Adil: For the location pass Adil says Soul Cinema always gets the colours, the mood and the rich cinematic feel right. — 00:03:55
2026-10-07 · How To Prompt Like a Director Using Opus 5.5 + Seedance 2.5 (Full Workflow) — recommendation: Adil fixes the chosen apartment image before making videos: the foreground cabinet takes too much space and the coffee table must leave room for the delivery bags, so he asks Claude for an edit prompt. — 00:04:21
2026-10-07 · How To Prompt Like a Director Using Opus 5.5 + Seedance 2.5 (Full Workflow) — Adil uses Seedream 5.0 Pro for location edits because it is good at changing certain details while keeping the lighting and texture of the original. — 00:04:47
2026-10-07 · How To Prompt Like a Director Using Opus 5.5 + Seedance 2.5 (Full Workflow) — Adil: For the Mexico taqueria Adil needs three clear seats with a plate in front of each and nothing blocking the camera, so he edits the image in Seedream 5.0 Pro with a Claude prompt. — 00:05:32
2026-10-07 · How To Prompt Like a Director Using Opus 5.5 + Seedance 2.5 (Full Workflow) — recommendation: Adil puts the food directly into the location references: each friend's seat already has a plate, so the seating is planned and no separate food references are needed. — 00:05:59
2026-10-07 · How To Prompt Like a Director Using Opus 5.5 + Seedance 2.5 (Full Workflow) — recommendation: Adil's shortcut for extras: build the whole group in one reference, as he did with all four musicians in one image. — 00:06:44
2026-10-07 · How To Prompt Like a Director Using Opus 5.5 + Seedance 2.5 (Full Workflow) — Adil: In the first scene Micah's tap on the app is the cut to the next country, with the camera still moving, and Adil builds that into the prompt. — 00:07:15
2026-10-07 · How To Prompt Like a Director Using Opus 5.5 + Seedance 2.5 (Full Workflow) — recommendation: Adil attaches the reference images to Claude and labels them with the same names he will use in the prompt. — 00:07:55
2026-10-07 · How To Prompt Like a Director Using Opus 5.5 + Seedance 2.5 (Full Workflow) — recommendation: Adil's match cut into Italy: cut on the tap and keep Micah's framing and the camera movement the same, so only the location changes. — 00:08:39
2026-10-07 · How To Prompt Like a Director Using Opus 5.5 + Seedance 2.5 (Full Workflow) — Adil calls Seedance 2.5 hands down the best video model right now. — 00:08:39
2026-10-07 · How To Prompt Like a Director Using Opus 5.5 + Seedance 2.5 (Full Workflow) — Adil: In the first take Alex ended up on the sofa next to Micah instead of the beanbag; Adil says his prompt gave Alex the cat but never assigned him a seat. — 00:09:11
2026-10-07 · How To Prompt Like a Director Using Opus 5.5 + Seedance 2.5 (Full Workflow) — recommendation: Adil adds a short wide shot of the whole apartment as the scene's main keyframe: it locks where everyone sits and gives visual anchors, so the seats stay consistent in the close-ups. — 00:09:36
2026-10-07 · How To Prompt Like a Director Using Opus 5.5 + Seedance 2.5 (Full Workflow) — recommendation: Adil states each seat explicitly and ties it to a background landmark (skylights behind Micah, shelves behind Jenny, the red lamp behind Alex), which gives him something to check as the camera moves. — 00:09:36
2026-10-07 · How To Prompt Like a Director Using Opus 5.5 + Seedance 2.5 (Full Workflow) — recommendation: Adil does not use every generated shot: the wide shot only sets the layout for the generation and is left out of the edit, which keeps the strongest moments of each take. — 00:10:19
2026-10-07 · How To Prompt Like a Director Using Opus 5.5 + Seedance 2.5 (Full Workflow) — Adil: For the reverse angle at the taqueria, Seedance 2.5 kept putting a wall behind Alex although the prompt mentioned the hills, so Adil had to spell out what that angle shows. — 00:11:45
2026-10-07 · How To Prompt Like a Director Using Opus 5.5 + Seedance 2.5 (Full Workflow) — recommendation: Adil's fix for the reverse angle: keep the band where it is, put the camera beside the building and point it out toward the valley. — 00:11:45
2026-10-07 · How To Prompt Like a Director Using Opus 5.5 + Seedance 2.5 (Full Workflow) — recommendation: Adil says anchors are very important in locations, especially for reverse angles: use them to tell the model how to place or move the camera around them. — 00:12:14
2026-10-07 · How To Prompt Like a Director Using Opus 5.5 + Seedance 2.5 (Full Workflow) — recommendation: Adil: For the jump to Japan Adil hides the cut behind a character: the camera slides sideways behind Micah and her back masks the cut. — 00:12:41
2026-10-07 · How To Prompt Like a Director Using Opus 5.5 + Seedance 2.5 (Full Workflow) — recommendation: Adil cuts the music and brings in Japan's ambient sound first, so the new space is heard before it is revealed. — 00:13:09
2026-10-07 · How To Prompt Like a Director Using Opus 5.5 + Seedance 2.5 (Full Workflow) — Adil defines directing as deciding who sits where, how the camera moves, where to hide the transition and when the audio changes, before the final render. — 00:13:09
2026-10-07 · How To Prompt Like a Director Using Opus 5.5 + Seedance 2.5 (Full Workflow) — recommendation: Adil gives the video model a map of what belongs where, made in Seedream 5.0 Pro, with every figure colour-coded and each colour mapped to a character in the video prompt. — 00:13:32
2026-10-07 · How To Prompt Like a Director Using Opus 5.5 + Seedance 2.5 (Full Workflow) — Adil: With the map attached to the revised Seedance 2.5 prompt, the overhead take gave exactly the table arrangement Adil wanted. — 00:14:38
2026-10-07 · How To Prompt Like a Director Using Opus 5.5 + Seedance 2.5 (Full Workflow) — recommendation: Adil's pack shot is one four-second move: start close on the packaging, brand first, then pull back and drop down to the cat with the friends eating behind. — 00:15:26
2026-10-07 · How To Prompt Like a Director Using Opus 5.5 + Seedance 2.5 (Full Workflow) — recommendation: Adil describes the eating in detail (lowering the head, taking a bite, chewing) so that something is happening as the camera move stops. — 00:15:55
2026-10-07 · How To Prompt Like a Director Using Opus 5.5 + Seedance 2.5 (Full Workflow) — Adil: The whole 30-second delivery app commercial cost Adil around 2,100 credits, including a few rounds of iterations. — 00:15:55
2026-10-07 · How To Prompt Like a Director Using Opus 5.5 + Seedance 2.5 (Full Workflow) — Adil says that as you get better at directing these shots, you spend less time and fewer credits on retries. — 00:15:55
2026-10-07 · How To Prompt Like a Director Using Opus 5.5 + Seedance 2.5 (Full Workflow) — Adil says a professional live-action production in the US with actors and a full crew can cost tens of thousands of dollars. — 00:16:29
2026-10-07 · How To Prompt Like a Director Using Opus 5.5 + Seedance 2.5 (Full Workflow) — recommendation: Adil advises starting with one short scene, fixing what is off, building it into a portfolio ad and using it to reach out to a first client. — 00:16:29
2026-10-12 · Can You Tell This Commercial Is AI? #AIFilmmaking #Shorts — Adil says his 30-second delivery-app commercial, directed in Seedance 2.5 with no camera, actors or crew, cost him around 2,100 credits, including a few rounds of iteration. — 00:00:00
2026-10-16 · AI Creation: First Steps: Introduction — Adil says a tool once available only to studios, large teams and people with years of technical experience is now in everyone's hands: one person can turn a thought into a whole world without a camera, a film crew or complicated software. — 00:00:03
2026-10-16 · AI Creation: First Steps: Introduction — Adil says what matters is what you can create with AI tools, and that now is the best time to learn them. — 00:00:03
2026-10-16 · AI Creation: First Steps: Introduction — Adil says he has worked as a creative at Higgsfield for a year and has made more than 500 videos in that time. — 00:00:47
2026-10-16 · AI Creation: First Steps: Introduction — Adil says that before joining Higgsfield he was a bartender with no experience in content creation and had never held a camera. — 00:00:47
2026-10-16 · AI Creation: First Steps: Introduction — Adil says the goal of the course AI Creation: First Steps is to help anyone learn the creative skills of the future and use them in their own life. — 00:00:47
2026-10-16 · AI Creation: First Steps: Introduction — Adil calls AI today a giant sandbox: you can create a character, shoot a scene, make an ad or build a whole world and see the idea on screen within minutes. — 00:01:09
2026-10-16 · AI Creation: First Steps: Introduction — recommendation: Adil says the best way to understand what today's AI models can do is to start creating yourself rather than watch from the sidelines. — 00:01:09
2026-10-16 · AI Creation: First Steps: Introduction — Adil says the course AI Creation: First Steps goes from a first simple prompt to usable videos: working with Supercomputer, turning a product photo into an ad, creating characters and locations, building a short story and improving results without wasting credits. — 00:01:09
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — Adil made his action short film in two days with Higgsfield and shows how he choreographed the fights, directed the acting and the camera, with his exact prompts, skills and steps. — 00:00:37
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — recommendation: Adil starts with a Cinema Studio project: one folder per scene with subfolders for characters, locations and props, since a little setup saves a lot of scrolling later. — 00:00:37
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — Adil: For the hero Adam, a white-haired half-vampire who hunts werewolves, Adil gives Claude his own photo and a few notes and asks for two versions, which Claude expands into detailed prompts. — 00:01:21
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — Adil usually makes his characters in Soul, but Soul does not support image-to-image, so to build a character from his own photo he uses GPT Image 2.5. — 00:01:21
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — Adil: Animated, Adil's GPT Image 2.5 version of Adam showed dirty plastic skin, dead-looking hair and many GPT artifacts moving around, which he says looks cheap. — 00:01:50
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — recommendation: Adil: To clean up a character, Adil gives Seedream the model sheet plus reference shots for hair, skin, fabric and background, and says what to take from each image and what to keep, like texturing a 3D character. — 00:01:50
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — Adil: Side by side, Adil finds the Seedream version of Adam much better: pores instead of patches, and hair that moves like real hair. — 00:02:33
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — recommendation: Adil: For the antagonist Victor, Adil uses Cast: set budget, era and archetype, fine-tune the features and generate a quick batch, a shortcut when you know the type but not the exact look. — 00:02:33
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — Adil generates many options for the heavyset gangster boss Ron in Soul Cinema, which he calls the cheapest yet the most creative model. — 00:03:21
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — recommendation: Adil makes a video element for each character before building scenes: an image shows only the look, a video also shows how the face moves and sounds, and the acting feels more natural. — 00:03:44
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — recommendation: Adil: For each character's video element Adil uses a simple voice recording; he says a human tone makes the AI voices feel more alive without copying anyone's voice exactly. — 00:04:07
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — Adil recorded Adam's voice himself and asked friends to record the voices of Ron and Victor. — 00:04:07
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — Adil: To give a character a recorded voice, Adil makes a video element: select the character generation, create an element, choose video, upload the audio, add a short prompt for how the character should move and speak, and generate. — 00:04:07
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — recommendation: Adil: For the alley location Adil asks for a three-quarter view for depth and a 24mm anamorphic look (wide framing, softer edges, oval bokeh); Claude expands it into a prompt he generates in Soul Cinema. — 00:04:40
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — recommendation: Adil uses a 35mm anamorphic look for a tighter frame of Ron's office; in motion, the softer background carried over from the anamorphic reference makes Adam stand out more. — 00:05:09
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — recommendation: Adil: To avoid typing all the lens details every time, Adil uses an anamorphic skill in Claude. — 00:05:09
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — recommendation: Adil names and saves each asset as an element in Higgsfield and gives Claude the same file and name; Claude writes that tag into the prompt, so Higgsfield attaches the right element on paste. — 00:06:07
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — Adil attaches the Higgsfield prompt skill, a set of instructions for Claude, to his scene brief, asks Claude to build a conflict, then asks for shots, camera moves and dialogue. — 00:06:07
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — recommendation: Adil says the Higgsfield prompt skill still needs direction: he spells out how Ron's anger builds, which lines he shouts and where the camera goes, since a clearer scene gives Claude a more specific prompt. — 00:06:07
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — Adil generates the phone-call scene in Seedance 2.5 at 30 seconds and 21:9, running a few batches for different options. — 00:06:56
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — recommendation: Adil's credit-saving tip: run drafts at 480p, where only framing and who stands where are checked, then recreate just the winning takes at 1080p. — 00:06:56
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — recommendation: Adil says batching matters because the same prompt gives slightly different results: a random take gave him a low, tilted Dutch angle he never asked for, and he kept it. — 00:07:29
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — Adil suggests posting a shot with its prompt in the Higgsfield Discord to get feedback from the community. — 00:07:29
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — Adil made the nightclub location in Soul Cinema and builds the club scene in three parts, entrance, party and fight, then cuts the best shots together. — 00:08:48
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — recommendation: Adil: When the first top-down take of Adam's club entrance made the crowd move oddly, Adil asked for a high side angle and a crowd moving naturally: jumping, landing, making room for Adam. — 00:08:48
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — recommendation: Adil's rule for crowds: every extra needs a job; different actions, such as a woman dancing towards the camera and two men enjoying drinks, make the crowd feel alive. — 00:09:15
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — recommendation: Adil: When the club guards moved in sync and the baton looked fake, Adil gave each guard separate reactions and toned down the baton's electrical effect. — 00:09:52
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — Adil's first club-fight takes without the fight skill had soft punches and a stiff Adam. — 00:09:52
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — recommendation: Adil: For sharper strikes and reactions Adil uses a fight skill packed with real fight choreography and writes the fight as a list: who is where, what Adam does, how each guard goes down. — 00:09:52
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — recommendation: Adil: In Adil's club fight medium shots show the move and close-ups make the contact feel real; he says the fight skill holds fight physics really well. — 00:10:28
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — recommendation: Adil generates the Yakuza crew of the corridor fight together as a group, so one reference asset serves all the extras instead of one per character. — 00:11:09
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — recommendation: Adil: For the corridor fight, with the camera shaking and whipping inside the action, Adil uses the same fight skill but spells out where the foot goes, where it lands and which way the guards fall. — 00:11:09
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — recommendation: Adil built the corridor fight from four takes with every cut on movement, so the seams do not show; a whip pan's fast sideways movement gives a place to hide a cut. — 00:11:42
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — recommendation: Adil: When the first batch of Victor's office came out cold and blue, Adil liked the room but not the mood, so instead of re-rolling he re-lit the image. — 00:12:13
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — recommendation: Adil: For a dialogue cut back and forth, Adil adds the office's second side, facing the door with the hallway behind; with the sofa behind Victor and the door behind Adam the model always knows which way it looks. — 00:12:13
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — recommendation: Adil's first rule for dialogue scenes: put the lines into the prompt word for word, or the model rewrites the script. — 00:12:13
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — recommendation: Adil's second rule for dialogue scenes: do not plan every shot; give the model camera rules and let the skill build the shot list. — 00:12:13
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — Adil wants the office dialogue as a duel lost by whoever loses his cool first; in the first take both men stay calm and a glass ruins the shot, so he has Claude revise the prompt with the acting skill. — 00:12:52
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — recommendation: Adil: The Higgsfield Acting Skill builds a performance around what each character is trying to get from the other person; Adil points to the difference it made in a test with Ron and Adam. — 00:13:20
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — recommendation: Adil: With the Higgsfield Acting Skill on, Adil tells it who Adam and Victor are and what each wants, plus three fixes: a shorter line for Adam, no glass and room for pauses. — 00:13:20
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — recommendation: Adil's next three fixes to Claude: drop the dust and splinters of the door kick, move around Adam to stay on his face during the line, and lock the room with the door behind Adam and the sofa behind Victor. — 00:13:50
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — Adil built the finished office dialogue from six generations, keeping the useful moments from different batches. — 00:13:50
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — recommendation: Adil's editing tip: repeat the last line of the previous generation in the next one, which gives an overlap for choosing where to cut from one generation to the next. — 00:13:50
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — Adil: In Adil's shooting sequence the bullet looked like a metal ball, kept changing shape and hole, and in one take went back into Victor's head. — 00:14:39
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — recommendation: Adil fixes the bullet shot with two references, the used bullet he wants and a photo of Victor with a wound of the right size, and an explicit order: the bullet comes out, falls, and the wound stays visible. — 00:14:39
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — recommendation: Adil: Two sides of a room work for dialogue but confused the model in Adil's fight, so he shrank the stage: everything happens within two meters of the red sofa. — 00:15:19
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — recommendation: Adil's trick: turn one location image into a short room tour in Seedance, which gives new views of the same space from different sides. — 00:15:19
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — recommendation: Adil marks the start positions on the overhead frame of the room tour and attaches it in Claude and Seedance as a blocking reference for starting positions only, with the camera following the prompt. — 00:15:19
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — recommendation: Adil: For wider angles of a fight, Adil gives Claude the previous take, asks for the same choreography from other camera positions, and feeds that prompt with the take as video reference into Higgsfield. — 00:16:04
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — recommendation: Adil: When a take ends before the move is finished, Adil uses Extend in Cinema Studio, useful when he likes the shot and needs only a few more seconds to finish it. — 00:16:04
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — Adil: The last scene of Adil's film was a single prompt, which is in the blog post with the others. — 00:16:44
2026-10-24 · The Complete AI Filmmaking Masterclass Everyone’s Missing (Full Tutorial) — Adil invites viewers to try the workflow in their own films and share them in the Higgsfield Discord, saying he would love to break down some of them in a future episode. — 00:21:05

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