Netflix’s Moria Hybrid Campaign by Vertex CGI with Higgsfield
2026-09-11 · other · Higgsfield, a guest · original
Topic: Productions (case studies) (also: Image generation & editing) · mode: Case study · tags: guest or collaboration, one creator's experience
Higgsfield's creator-hub case study (11 September 2026) says Vertex CGI's 360 campaign for Netflix Latin America's series Moria mixed real giant installations in the city with three AI-made installations on social, generated in Nano Banana Pro from real location references and animated with Kling inside Higgsfield; one Instagram post reached 1.7M views.
What is said
- Results: 1.7M views on one Instagram post and earned media
What is said
★ — how much it matters to the source.
- ★★ Netflix Latin America launched Moria, a series centred on Moria Casán, and Vertex CGI built a 360 campaign for it that mixed AI content with real giant installations.
- ★★★ In the Moria campaign, real elements established the campaign in the city and hyperreal synthetic elements followed audiences on social, the two layers designed to be experienced together.
- ★★ Vertex CGI had to make the generated Moria installations sit next to physical ones without breaking the illusion, matching real locations and current conditions and keeping logos, key visuals and campaign elements accurate.
- ★★ A giant shoe, lipstick and wig installation of the Moria campaign existed physically; AI added three more: oversized nails, a rooftop intervention and a Planetarium execution.
- ★★ a guest: A quoted campaign voice says people see real elements in the city and are then followed on social media by unreal, hyperrealistic installations, which comes together into one giant experience.
- ★★ Vertex CGI started the AI installations of the Moria campaign from real location references and coordinates.
- ★★★ Vertex CGI generated the Moria installation scenes in Nano Banana Pro, matching the location, weather and people's clothing so each installation felt grounded in the real environment. · Nano Banana Pro
- ★★★ Vertex CGI used existing Moria campaign assets as references, composited key visuals in Photoshop and passed them back through Nano Banana Pro to blend them into the scene and improve realism. · Photoshop, Nano Banana Pro
- ★★ Once the final Moria compositions were locked, Vertex CGI animated them with Kling; the generative workflow ran inside Higgsfield. · Kling, Higgsfield AI
- ★★★ One Moria campaign post on Instagram reached 1.7M views. · Instagram
- ★★ The Moria campaign also drew earned-media distribution, reposts and audience reactions, with people filming the installations and reacting to them.
Threads in this video
- refine · Which image model should be used for keyframes, edits, text and outfits? — Vertex CGI generated the Moria installation scenes in Nano Banana Pro, matching the location, weather and people's clothing so each installation felt grounded in the real environment.
- refine · How do you keep a location, product or prop the same across shots? — Vertex CGI used existing Moria campaign assets as references, composited key visuals in Photoshop and passed them back through Nano Banana Pro to blend them into the scene and improve realism.
- refine · Should a video clip start from an image or from a text prompt? — Once the final Moria compositions were locked, Vertex CGI animated them with Kling; the generative workflow ran inside Higgsfield.
Mentioned
Central: Moria Hybrid Campaign · Nano Banana Pro · Vertex CGI
Also: Instagram · Kling · Moria · Moria Casán · Netflix · Photoshop
Also centred on Vertex CGI: Customer Stories See what's possible with Higgsfield · How VertexCGI, the Studio Behind Campaigns for Porsche and Mercedes, Used Higgsfield to Build a Viral NBA Finals Campaign
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